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Indiana Jones And The Temple Of Doom (Ws)
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New Temple of Doom Special Collector's Edition due out May 13th, 2008! : Indiana Jones And The Temple Of Doom (Ws)
The most underrated film of the franchise, INDIANA JONES AND THE TEMPLE OF DOOM is actually superior in terms of action than LAST CRUSADE. Technically a prequel, the film is much darker in tone than it's predecessor, but nonetheless is an exciting entry in the Indiana Jones Trilogy. Night club action, mine car chases and the thrilling climax on a perilous rope bridge, the set-pieces are some of the most memorable in the trilogy. Set before RAIDERS, Harrison Ford is great in one of his best movie roles, Indiana Jones, obtainer of rare antiquities. And this time, it's Shankara stones for the looting, and while the story isn't as original as it's predecessor, it provides some great comic book-style action. Although directed by Spielberg, George Lucas is the creator of Indiana Jones, and this is one of Spielberg's most impersonal films. However there are some nice homages to JAWS and the "Just shoot 'em" gag from RAIDERS. The opening Busby Berkley inspired number "Anything Goes" sums up the pace for the whole film, where the characters go from one action set-piece to the next, with little space for a breather. The female lead Kate Kapshaw (Willie Scott) is not as spunky as Marion Ravenwood, but she's handles being a love interest for Indy and comic relief rather well. There is a notable lack of meaty villians, with Mola Ram not reaching the excellent "Bad guy" heights of Belloq, but hey, he's still nasty enough. Determined not to make Indy a cardboard character, this one explores Indy's dark side and audience limitations. However despite the change in tone for TOD, there are many laughs to be had and some clever in-jokes, the best of which is the nightclub where Willie sings: Club Obi Wan. Genius. Addmitedly, in some scenes taste goes out the window in favour of revolting animal delacacies and human sacrafice. After all, this was the film that started the PG:13 rating for films that were too violent for a simple PG. But what most critics fail to realise is that it's comic book violence, making it not as bad. John William's tonal score is darker than his previous efforts like E.T, but it's still one of his best. And minor carping aside, they don't make action films like this anymore, where the characters aren't crowded out by a barrage of CGI (THE MUMMY). To put it simply, the action, mine car chases, one-liners and monkey brains all combine to make a really fun action film. And while it dosn't reach the excellent heights of RAIDERS, it's still one amazing adventure.
